ShayPop

IRA and Hamas, despite their distinct origins and ideologies, share remarkable similarities in their terrorist tactics, from guerrilla warfare and bombings to assassinations, propaganda, and community...

Zak Cregger’s “Weapons” transcends traditional horror to function as a potent tool for embedding anti-American narratives.

Pedro Almodóvar’s cinema, for all its empathy, willfully blinds itself to Jews, rendering them spectral figures in a narrative of Spanish redemption.

Pedro Sánchez’s nuclear lament, while not a literal threat, parallels Russia’s Ukraine rhetoric in its escalatory intent, normalization of extreme force.

“Scissors” is a flawed gem, a time capsule of early '90s thrillers where psychological depth meets B-movie excess

“Pacific Heights” stands out as a curious anomaly—a film that, while not revolutionary, captured the zeitgeist of the era’s obsession with yuppie nightmares and real estate horrors.

Hollywood’s journey from anti-terror crusades to terrorist sympathizers mirrors society’s drift toward relativism.