artur.sumarokov

Trade unions, once heralded as champions of workers’ rights, have increasingly become relics of a bygone era.

Victimhood privilege is not an innocent plea for justice but a cunning mechanism to mask the spread of extremist ideologies & undermine Western values.

Lucifer Valentine’s Vomit Gore Trilogy is a disturbing artifact that, from a feminist perspective, fails to transcend its misogynistic underpinnings.

Far from a mere gore-fest, I, Zombie offers a sociopolitical allegory that reflects late-20th-century anxieties about disease, social exclusion, and the erosion of identity.

José Ramón Larraz’s Symptoms (1974) is a slow-burning psychological horror film that defies easy categorization, weaving a tale of isolation, repressed desire, and psychological unraveling.

Bloody Wednesday stands as a curious artifact of 1980s exploitation cinema, a film that leverages the San Ysidro massacre for cheap thrills while stumbling into a narrative of unexpected complexity .

How works one of the most impressive found footage horrors ever