Herschell Gordon Lewis’s Blood Feast (1963): An Ode to Camp, Violence, and Cinematic Madness
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For fans of exploitation cinema, *Blood Feast* is like an old record—scratched but still uniquely resonant.
Baby in blood
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“Baby Blood” is a visceral meditation on the horrors of enforced motherhood in a male-dominated world
Cinema and Video
Blood Diner: A Reagan-Era Remix of Gore's Golden Age
Very impressive remake of classic gore horror from 60s
Cinema and Video
The Transgression of Dictatorship in Lucio Rojas’s Trauma
Trauma does not offer a theory of dictatorship’s transgression. It performs one
Cinema and Video
Bloodthirsty couple
“Lonely Hearts” stands as a testament to cinema’s power to resurrect the damned.
Cinema and Video
Queer Necrophilia: Transgression and Desire in Jörg Buttgereit's Nekromantik Dilogy
Traditional horror punishes transgression; here, necrophiles are protagonists, their desires centralized rather than vilified.
Gore, Pseudosnuff, Splatter: The Ontology of the Body and the Aesthetics of Disgust in the Horror Genre
This article develops a philosophical analysis of three extreme subgenres within horror cinema by interrogating the ontological status of the body and the aesthetics of disgust.
