Синий диван
Изображение и насилие: авторы журнала «Синий диван» о снаффе
Олег Аронсон, Эдуард Надточий, Андрей Горных, Сергей Зотов, Александра Мороз о снаффе.
Cinema and Video
Murder-Set-Pieces asap
artur.sumarokov2.6K🔥
“Murder-Set-Pieces” in its variations encapsulates the spectrum of horror—from tame entertainment to boundary-pushing art
Cinema and Video
Revisiting "Hostel": Eli Roth's Enduring Cautionary Tale of Horror and Human Depravity – 20 Years Later
artur.sumarokov2.1K🔥
“Hostel” as a most important horror of 2000s.
Cinema and Video
The Ontological Violence of The Benefactress: What Kind of Being Does This Film Have?
If André Bazin once dreamed of a “myth of total cinema” in which the image would finally coincide perfectly with reality, *The Benefactress* is the nightmare fulfilment of that myth.
Cinema and Video
A Reappraisal of Ridley Scott’s The Counselor: A Brutal, Misunderstood Gem of the 2010s
The Counselor is not just a film but an experience—one that lingers long after the credits roll, like a nightmare from which there is no awakening.
Cinema and Video
Millimeters of death
8MM is more than a thriller—it’s an exploration of the dark underbelly of human nature, where moral boundaries blur, and truth comes at a devastating cost.
Cinema and Video
Dariuss: Spectral Beings and the Eternal Echoes of Loss in Guerrilla Metropolitana's Experimental Horror
Dariuss masterfully entwines ontology’s thrown being with hauntology’s spectral calls, rendering grief a machinery where existence is ghostly prosthesis
The Lure of the Forbidden: Alejandro Amenábar’s Tesis and the Unsettling Power of Cinema
artur.sumarokov1.7K🔥
By refusing to sensationalize its subject, Amenábar crafted a horror film that is as thought-provoking as it is unsettling, a testament to the power of cinema to confront us with our darkest impulses....
The Phenomenon of Shock Videos in the Modern World: A Descent into Digital Abyss
artur.sumarokov1.6K🔥
Shock videos encapsulate the modern world’s paradoxical embrace of horror: a mirror to our psyches, philosophies, and societies.
Sex, violence and Harmony Korine
artur.sumarokov1.4K🔥
“Trash Humpers” isn’t for everyone—it’s a endurance test, a mirror to our darker selves.
Cinema and Video
Dead Tapes: Snuff 102 Review
artur.sumarokov1.1K🔥
In the end, *Snuff 102* isn’t for shelves; it’s for reckoning. It posits that true horror isn’t the gore—it’s the mirror.
The Films of Tamakichi Anaru as the Extreme Degree of Extreme Cinema
Tamakichi Anaru’s films stand as extreme cinema’s vanishing point: beyond them lies only silence or madness.
Metacinema and Pornopolitics in A Serbian Film
A Serbian Film* uses its metacinematic framework to dissect pornopolitics as a mechanism of control.
Ontological Horror in *The Life and Death of a Porno Gang*
The Life and Death of a Porno Gang* endures as a masterful evocation of ontological horror.
Cinema and Video
The Ontology of the Unreal: Faux-Snuff as a Window onto the Real
This image is not a philosophical argument but an aesthetic experience, a felt encounter with the inhuman
Cinema and Video
Sorgoi Prakov: Ontological Horror, the Critique of Europe, and the Taxonomy of Snuff
The film ends, as it must, in darkness. Sorgoi has completed his descent, has become the monster that Europe’s indifference made him.