Cinema and Video
Violence as an art
Lucifer Valentine’s Vomit Gore Trilogy is a disturbing artifact that, from a feminist perspective, fails to transcend its misogynistic underpinnings.
Herschell Gordon Lewis’s Blood Feast (1963): An Ode to Camp, Violence, and Cinematic Madness
For fans of exploitation cinema, *Blood Feast* is like an old record—scratched but still uniquely resonant.
Bloody reunion
In retrospect, Bloody Reunion stands as a bold entry in the K-horror canon, blending slasher excess with sociological bite.
