— a relay race of copying one artwork presented in reverse order —

Ernest Sairon

Saironovskaya-tech laboratory

Clay is clay, clay is okay

This is a studio of copies and prototypes, where digital technology intersects with analog materials and imagination. In the center of the studio is a large table strewn with colored pencils, pieces of play dough, and stacks of paper. At one end of the table is a computer with graphics programs for 3D modeling and animation, and next to it is a drawing tablet and a 3D printer for creating physical copies. All this is surrounded by shelves with finished clay models and handmade mock-ups.

Maria Fox Larsson

Petrozavodsk — St. Petersburg — Narva — Tallinn (train — bus — bus — hostel bed)

This is fine

Yuliya Kefidki

Duplo

Squirrels took control of my copy, squirrels are everywhere. Be careful.
The little acorn in the right corner is me.

Lisa Kukushkina

Barcelona

This is not fine but who are we to stop the party

When flames dance wild in the night,
And shadows weave a darkened flight,
The hounds of earth, with joyous cries,
Join every beast beneath the skies.

Anna Andrzhievskaia

Barcelona

Love hugs

In this world and others, we just hug each other tighter to keep from losing it. Stop! Are we already a bit worn out, or is this just not us anymore?

CickinDunt
(Cherepanova Anna & Cherepanov Vitalii)

Mythenquai 345 Zürich

Getting a picture for a dialogue is very pleasant. Creating copies of copies is one of our favorite practices. The past year, we have been actively working with the symbol «two» as an image of secondary and repetition. Twos overlap the landscape, thoughts and spaces. Being first and in the vanguard is some kind of perfectionist torture that destroys the creator himself and the environment around him, with the hands of this «creator». Viruses, Tik Toks, digital mediums — clearly demonstrate the absence of the original. And the pursuit of ephemeral primacy is a capitalist or even accelerationist capitalist method. In our practice, we are looking for ways to contain the capitalist race and move to reasonable consumption, and not inflate the creator’s ego to the size of erasing the planet.

Vladimir Seleznev

Hamburger Stadtteile

Rain Dog

Mikhail Zaikanov

Hamburg

jpg -> stl
3d model with 25 different lights.

Ilya Martynov

Table and chair room

Hand photocopying

Nervously, the baby fell asleep, there’s an hour, the dots are soothing, the lines are too annoying.

Sergei Prokofiev

Paris

It’s a simple story. I didn’t plan to participate, but it so happened that someone dropped out of the copying process and here I am.

Many people took a lot of small things with them when it was time to flee Russia, so did I. I have a pocket thermal printer, but there is no paper for it and no money. I had to rummage through my pockets and bags. So I found a check from Montenegro, where I was visiting friends and where every day was special, unlike all the others.

Mariela Nikitina

Marin desert

When I saw the previous drawing, i noticed similarities with the old inglish fresco and decided to continue developing this idea. Perhaps it is about the dialogue between the jesters. They seem to devour each other, and in my work I also illustrate a dangerous situation (with a snake, a common hero of historical frescoes) but two opposite reactions. I like to use lately as a color solution as if the vision of warmth of the senses. Therefore the palette from orange to blue. it is a story about teeth, smoke coming from the mouth and frightened eyes.

Daria Beiseu

Home

The eerie tranquility of the moment you find yourself in .

Varvara Stepanova

Abramtsevo

Pirate dances

Black mark is the evidence of misconduct or involvement. It is imprinted in white on a hand and in black on reputation. Blind Pew handed the black mark to Billy Bones and gave him time until 10. I had 48 hours after receiving the black mark

Timofey Eliseev

Montreuil, France

If I was younger, I would be a kvadrober too.

Oleg Eliseev

33-31 Rue Jean Jacques Rousseau, 93230

-100

I turned everything down to minus 100.

Petr Voznesensky

Blender

Ilya Voznesensky

Paris, France

Vector copy of an image, traicing in InkScape and saved back in jpeg.

Masha Sumnina

Home#1

In-between

No time to explain.

The original

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